 Joan Miró's "the village of prades" is a beautiful example of her use of geometric shape.   The abstract nature of the foreground contrasts the more realistic background — the buildings of the town.  Both foreground and background, however, are unified by the bold use of color, adding vibrancy and energy to the piece.
Joan Miró's "the village of prades" is a beautiful example of her use of geometric shape.   The abstract nature of the foreground contrasts the more realistic background — the buildings of the town.  Both foreground and background, however, are unified by the bold use of color, adding vibrancy and energy to the piece.
Monday, February 9, 2009
Joan Miró -- the village of prades
 Joan Miró's "the village of prades" is a beautiful example of her use of geometric shape.   The abstract nature of the foreground contrasts the more realistic background — the buildings of the town.  Both foreground and background, however, are unified by the bold use of color, adding vibrancy and energy to the piece.
Joan Miró's "the village of prades" is a beautiful example of her use of geometric shape.   The abstract nature of the foreground contrasts the more realistic background — the buildings of the town.  Both foreground and background, however, are unified by the bold use of color, adding vibrancy and energy to the piece.
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